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Josh Gibson
#?? | Catcher | Negro Leagues

Joshua Gibson

Comparable major league players: Babe Ruth, Johnny Bench


     Josh Gibson was known as "the Babe Ruth of the Negro Leagues."  Next to Satchel Paige, the barrel-chested catcher was the biggest attraction in black baseball.  He began as a pro at 18 with the Homestead Grays in 1930, and he also starred for the Pittsburgh Crawfords as Paige's battery mate in the mid-and-late-1930s when that team might have been the best team anywhere to have played the game.


     The Negro Leagues' most prodigious power hitter, Gibson hit well over .300 in the Negro Leagues with an unsurpassed number of home runs.  A brain tumor led to his untimely death at the age of 35, just a few months before Jackie Robinson broke the color barrier in major league baseball.  Strong and agile, the serious, dour-faced Gibson used a short, compact stride and a massive upper body to crush line drive home runs in ballparks all over North and South America.  His clouts overshadowed his defensive abilities - a good arm, quick feet, and a rock-solid presence behind the plate.  But the seemingly invincible Gibson experienced a serious physical and emotional decline late in his career and died of a stroke at age 35.


     Gibson's first appearance with the Grays is a source of an oft-repeated myth, one of many told of Gibson's feats. The myth is that during a Grays-Kansas City Monarchs night game, Gibson was in the stands eating hot dogs and was pressed into service when Buck Ewing, the Grays starting catcher, split a finger. The true account is that Ewing did split his finger, but it was in a game against a semipro team. Manager Cum Posey sent a cab for Gibson who was playing across town for Crawford Colored Giants, a semi-pro team loaded with young talent, and a few innings later Josh was unceremoniously put into the Grays' lineup.  Gibson, at age 18, had caught the eye of Posey, co-owner and manager of the powerful Homestead Grays of the Negro National League.  The Grays were talent deep, but Posey needed a solid substitute catcher and told Gibson to be ready to join the Grays at any time.

     Young Gibson could not have joined a better team.  Beginning in 1928 when Posey aligned his team with the Negro National League, the Grays were the class of Negro Baseball.  Posey's teams were talented, disciplined, and consistent winners.  Gibson's raw talent and his willingness to learn from veteran players such as Ewing and Judy Johnson quickly transformed him into a marquee star.

Gibson batted for a phenomenal .461 average in his rookie year and was a key factor in the Grays' win over New York's Lincoln Giants in the playoffs for the Eastern Division championship.

     After the Depression began and created hard times for all, Gibson joined a number of superstars who were lured by the fatter contracts promised by owner Gus Greenlee, a flamboyant Pittsburgh racketeer and restaurateur, of the Pittsburgh Crawfords.  Gibson, Satchel Paige, Judy Johnson, Cool Papa Bell, coach Oscar Charleston and others joined the Crawfords.  For the next five years the Crawfords dominated Negro League play.  Gibson slugged long home runs - 69 in 1934 - and recorded astoundingly high batting averages.  In 137 games with the Crawfords in 1933 he batted .467 with 55 home runs.


     Gibson's slugging drew big crowds wherever the Crawfords appeared.  Teammate Cool Papa Bell said Gibson would have hit more homers had not outfielders in parks without fences played him back 400 feet.  Gibson's clouts were so impressive that fact and myth soon became blurred.  It was often claimed that he was the only batter ever hit a fair ball out of Yankee Stadium.  In fact, it never happened, but his 1930 homer against the Lincoln Giants was the longest ball he ever hit in Yankee Stadium.  On March 20, 1937, Gibson was credited with a drive that hit just two feet below the rim of Yankee Stadium, about 580 feet from home plate.  It was estimated that the ball would have traveled nearly 700 feet. 

Late in his career he said his longest home run went out of Farmers Park in East Orange, New Jersey, and "over a two-story station outside the park."  His favorite homer den was New York's Polo Grounds.


     Like most stars of the Negro leagues, Gibson played winter ball for lucrative contracts in Mexico, Cuba, Puerto Rico, and Central America.  He was idolized by fans in Puerto Rico and considered his play there as the high point of his career.  In 1937 he joined several black stars, including Satchel Paige and Cool Papa Bell, in the Dominican Republic to play for a team owned by dictator Rafael Trujillo.  In a tense, seven-week season Gibson hit .453 and lead Trujillo's All-Stars to the championship.


     Gibson rejoined Cum Posey and the Homestead Grays in 1936, the start of the Grays' nine-year run of Negro League championships.  He and hard-hitting first baseman Buck Leonard anchored one of the most consistently productive lineups in Negro League play.  In 1937 Posey wrote that Gibson was "the best ballplayer, white or colored, that we have seen in all our years of following baseball."  His murderous bat put him on nine East-West All-Star squads and ranked him second only to Satchel Paige as the best-known Negro League player.

     Though he was affable and generally well-liked by his teammates, Gibson was not a personality that could match Paige's showmanship on or off the field.  While sportswriters in Negro newspapers gave Gibson Bunyanesque qualities and created witty, but fictional exchanges between him and other players, Gibson was mostly quiet, businesslike, and not given to clever remarks or memorable quotes.

Thousands of innings behind the plate took a heavy physical toll on Gibson.  Often his shoulder popped painfully out of joint and a teammate helped him jerk it back into place so he could continue playing.  In his last years his knees ached and he labored to run the bases.  In the 1940s, while pacing the Homestead Grays, he experienced a severe mental and physical slide. In 1943 he was committed briefly to a mental hospital in Washington D. C. after suffering a nervous collapse.  He was also plagued by high blood pressure, heavy drinking and suspected drug use.  Though only in his early thirties, Gibson grew despondent, lost weight, and generally appeared tired and haggard.


     Even his death on January 20, 1947 came to be clouded with myth.  Gibson, it was said, believed he was going to die and gathered his family around his bedside.  He even sent his brother out to gather up his trophies.  While talking and laughing he supposedly raised his head, spoke incoherently, then laid down and died.  The true story was not as sentimental or dramatic.  Gibson suffered a stroke in a movie theater and was taken unconscious to his mother's house where he died a few hours later.


     Teammate and friend Jimmie Crutchfield often said that Gibson died of a broken heart at not having made the white major leagues.  Gibson himself might have disagreed, though at times his depressed mental state threw him into fits of rage and rambling outbursts.  Like most of his teammates, Gibson generally accepted his fate and did not speak out about the injustice of baseball's color bar.  That Jackie Robinson broke into the major leagues only a few months after Gibson's death was a sad coincidence of history.


     Gibson was inducted into the Hall of Fame in 1972, the second Negro League player, after Satchel Paige, to be so honored.


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